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    • Module 1: Laborer’s Love (1922)
    • Module 2: Sports Queen (1934)
    • Module 3: Goddess (1934)
    • Module 4: The Great Road (1934)
    • Module 5: New Women (1935)
    • Module 6: Song at Midnight (1937)
    • Module 7: Street Angels (1937)
    • Module 8: Long Live the Missus! (1947)
    • Module 9: Spring River Flows East (1947)
    • Module 10: Spring in a Small Town (1948)
    • Module 11: Crows and Sparrows (1949)
    • Module 12: Course Wrap-Up
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2021/04/09: Rediscovering Early Chinese Cinema

Rediscovering Early Chinese Cinema: From the Archive to the Internet

Registration: https://www.polyu.edu.hk/cc/news-and-events/events/2021/04/09/?sc_lang=en

Department of Chinese Culture, The Hong Kong Polytechnic University

PST 6:00-7:30pm, April 8, 2021 (Zoom)

HKT 10:00-11:30am, April 9, 2021 (Zoom)

Speaker: Christopher Rea, University of British Columbia

Summary

Viewers around the world are now discovering that, over eighty years ago, Chinese cinema had light sabers. And copies of Mickey Mouse. And full frontal male nudity. What other discoveries – besides novelties of a bygone age – lie in store for historians rediscovering Republican-era cinema, or people delving into Chinese film history for the first time? The Chinese Film Classics project, begun before and accelerated by the pandemic, is aimed at enabling a new generation of global audiences to explore Chinese film history in new ways. Working with a corpus of several score extant films, circa 1920s-1940s, Christopher Rea has been translating both famous and obscure cinematic works and making them available open access in full or in part (so far as copyright and fair use allow), via the YouTube channel Modern Chinese Cultural Studies and the website chinesefilmclassics.org. A key feature of this resource is the inclusion of playlists of hundreds of songs, special effects, animations, significant scenes, how-tos, and other thematically-arranged film clips, which enable viewers to navigate the archive of early Chinese cinema based on their own interests. Another is the production of a full online course on “Chinese Film Classics,” which discusses eleven masterpieces in the contexts of Chinese history and global filmmaking. This talk presents new web-based approaches to film research and pedagogy, and invites the participation of film scholars and film archives in further developing this open-access initiative.
Speaker
Christopher Rea is Professor of Chinese in the Department of Asian Studies at the University of British Columbia, and former Director of the UBC Centre for Chinese Research. His monograph The Age of Irreverence: A New History of Laughter in China won the Association for Asian Studies 2017 Joseph Levenson Book Prize (post-1900 China), and is available in Chinese as 《大不敬的年代:近代中國新笑史》. His other books include China’s Literary Cosmopolitans (2015), Humans, Beasts, and Ghosts (2011), The Business of Culture (2015) (with Nicolai Volland), The Book of Swindles (2017) (with Bruce Rusk), Imperfect Understanding (2018), China’s Chaplin (2019), and Chinese Film Classics, 1922-1949 (2021). His translations of over 20 early Chinese films, and a related open-access online course, can be found at chinesefilmclassics.org and https://www.youtube.com/channel/UC-Xdirs4_JYpeyWi46h8kdA
https://asia.ubc.ca/profile/christopher-rea/

 

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2023/04/23: Spider Women and Light Sabers @ SOAS
Light Sabers, Spider Women and Other Discoveries in the Digital Archives of Early Chinese Cinema April 23, 2023, 5pm Room RB01, Russell Square: College Buildings, SOAS, University of London https://www.soas.ac.uk/about/event/light-sabers-spider-women-and-other-discoveries-digital-archives-early-chinese-cinema Abstract: What can we learn about early Chinese film history from the expanding digital archive? Which stories, images, linguistic patterns, filmmaking techniques, and industry behaviors […]

Pan si dong 1927

2021/07/14: Seeing China Through Film – The Early Years
A conversation about "Laborer's Love" (1922) and "The Great Road" (1934) with Weihong Bao, Richard Pena, and Christopher Rea

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Events
Public events about Chinese cinema history

Ruan Lingyu and Wang Nairong 1935

2021/05/20: Chinese Film Classics and Hollywood Resonances
How did Hollywood cinema influence Chinese films, circa 1920s-1940s? This talk traces influence at the level of text, identifying shared motifs and scenarios.

Zhou Xuan in Street Angels 1937

2021/03/01-05/12: Association for Chinese Animation Studies inaugural conference
A Zoom webinar featuring 19 panels of new academic research on Chinese animation, hosted by HKUST

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2020/12/03: Bruce Lee’s History of Kicking Ass
A two-part lecture on Bruce Lee and his fans, highlighting the role of African-Americans in shaping the legend

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2019/10/03-11-16: Zheng Junli films at BAMPFA
A retrospective on actor-director Zheng Junli, featuring 10 of his films, several of which were restored by BAMPFA

Zhao Dan in Crows and Sparrows 1949

2017/09/30-10/21: A Golden Age of Chinese Cinema, 1947-52, at BAMPFA
BAMPFA film series featuring seven films released in China between 1947 and 1952

Window to America 1952

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