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  • Chinese Film Classics Course
    • About the Course
    • Module 1: Laborer’s Love (1922)
    • Module 2: Sports Queen (1934)
    • Module 3: Goddess (1934)
    • Module 4: The Great Road (1934)
    • Module 5: New Women (1935)
    • Module 6: Song at Midnight (1937)
    • Module 7: Street Angels (1937)
    • Module 8: Long Live the Missus! (1947)
    • Module 9: Spring River Flows East (1947)
    • Module 10: Spring in a Small Town (1948)
    • Module 11: Crows and Sparrows (1949)
    • Module 12: Course Wrap-Up
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  • Resources on Early Chinese Cinema

Christopher Rea

Christopher Rea

Building a New China in Cinema 2002 by Laikwan Pang

Building a New China in Cinema (2002), by Laikwan Pang

Building a New China in Cinema introduces English readers for the first time to one of the most exciting left-wing cinema traditions in the world. This unique book explores the history, ideology, and aesthetics of China’s left-wing cinema movement, a quixotic film culture that was as political as commercial, as militant as sensationalist.

Cinema and Urban Culture in Shanghai 1999 edited by Yingjin Zhang

Cinema and Urban Culture in Shanghai (1999), edited by Yingjin Zhang

This volume aims both to establish cinema as a vital force in Shanghai culture and to direct attention to early Chinese cinema, a crucial chapter in Chinese cultural history long neglected by Western scholars.

Encyclopedia of Chinese Film (1998), edited by Yingjin Zhang and Zhiwei Xiao

Encyclopedia of Chinese Film (1998), edited by Yingjin Zhang and Zhiwei Xiao

Encyclopedia of Chinese Film edited by Yingjin Zhang and Zhiwei Xiao Routledge 504 pages, 1998 (new edition 2014) ISBN: 9780415757027 Publisher website: https://www.routledge.com/Encyclopedia-of-Chinese-Film/Xiao-Zhang-Zhang/p/book/9780415757027 Publisher’s description: The Encyclopedia of Chinese Film, one of the first ever encyclopedias in this area, provides alphabetically organized entries on directors, genres, themes, and actors and actresses from mainland China, Hong […]

Transnational Chinese Cinemas 1997 edited by Sheldon Lu

Transnational Chinese Cinemas (1997), edited by Sheldon Hsiao-peng Lu

Transnational Chinese Cinemas spans nearly the entire length of twentieth-century Chinese film history. The volume traces the evolution of Chinese national cinema, and demonstrates that gender identity has been central to its formation.

Dianying 1972 by Jay Leyda

Dianying (1972), by Jay Leyda

Because he worked with the Chinese film industry in Peking from 1959 to 1964, the author has had access to more Chinese films and relevant documents than any other Western scholar. In Dianying he describes both historic and current film production, using the films themselves as primary source material.

The Unfinished Comedy 1957

The Unfinished Comedy 沒有完成的喜劇 (1957)

When two star comedians start making films in New China, will they produce “flowers of comedy” or just “weeds”…especially when they meet the censor, Comrade Bludgeon?

Window to America 1952

Window to America 美國之窗 (1952)

Mao-era farce! Window washer Charlie Kent is ready to jump out the window when the capitalist Mr. Butler stops him with a proposition.

The White-Haired Girl 1950

The White-Haired Girl 白毛女 (1950)

A seminal film of New China cinema about a country girl who endures inhuman suffering before being liberated by the communist army.

Crows and Sparrows 1949 still

Crows and Sparrows 烏鴉與麻雀 (1949)

An epochal film, produced and set at the end of civil war, centering on a fight over housing. Who will stay and who will go?

Wanderings of Three-Hairs the Orphan 1949

Wanderings of Three Hairs the Orphan 三毛流浪記 (1949)

Follows the misadventures of Sanmao as he tries to fill his belly on the streets of Shanghai. Adapted from the comic strip by Zhang Leping.

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