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  • Directory of Early Chinese Films
  • Chinese Film Classics Course
    • About the Course
    • Module 1: Laborer’s Love (1922)
    • Module 2: Sports Queen (1934)
    • Module 3: Goddess (1934)
    • Module 4: The Great Road (1934)
    • Module 5: New Women (1935)
    • Module 6: Song at Midnight (1937)
    • Module 7: Street Angels (1937)
    • Module 8: Long Live the Missus! (1947)
    • Module 9: Spring River Flows East (1947)
    • Module 10: Spring in a Small Town (1948)
    • Module 11: Crows and Sparrows (1949)
    • Module 12: Course Wrap-Up
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Christopher Rea

Christopher Rea

Spring in a Small Town 1948 still

Spring in a Small Town 小城之春 (1948)

Director Fei Mu’s lyrical masterpiece shows people coping with loss and longing in the aftermath of the Anti-Japanese War.

Long Live the Missus 1947 production still

Long Live the Missus! 太太萬歲 (1947)

A fibbing housewife runs into problems with her unreliable husband and his con woman mistress in this wartime screwball comedy.

Spring River Flows East 1947

Spring River Flows East 一江春水向東流 (1947)

An epic melodrama in two parts. A dutiful wife struggles to keep her family together through eight years of war, only to suffer betrayal.

Love Everlasting 1947

Love Everlasting 不了情 (1947)

A young professional woman is hired to care of the young daughter of a married man, only to find herself in an impossible position.

Princess Iron Fan 1941

Princess Iron Fan 鐵扇公主 (1941)

Monkey and companions try to outwit a demon’s wife in this animated feature film, which adapts an episode from Journey to the West.

Hua Mu Lan 1939

Hua Mu Lan 木蘭從軍 (1939)

A young woman takes her father’s place in the army and protects the Tang empire from invaders in this wartime adaptation of the Mulan legend.

Street Angels 1937 still

Street Angels 馬路天使 (1937)

Zhou Xuan sings two hit songs in this social drama by experimental filmmaker Yuan Muzhi, costarring heartthrob Zhao Dan.

Song at Midnight 1937

Song at Midnight 夜半歌聲 (1937)

Phantom of the Opera and Nosferatu meet underground revolutionary history in China’s first horror-musical.

The Little Angel 1935

The Little Angel 小天使 (1935)

Director Wu Yonggang’s encore to “Goddess” (1934) focuses on the trials of a poor but loving family and their angelic boy.

Song of China 1935

Song of China 天倫 (1935)

Fei Mu’s traditionalist parable dramatizes the triumph of filial piety. Set to a lavish orchestral score and produced for a bilingual market.

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