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  • Directory of Early Chinese Films
  • Chinese Film Classics Course
    • About the Course
    • Module 1: Laborer’s Love (1922)
    • Module 2: Sports Queen (1934)
    • Module 3: Goddess (1934)
    • Module 4: The Great Road (1934)
    • Module 5: New Women (1935)
    • Module 6: Song at Midnight (1937)
    • Module 7: Street Angels (1937)
    • Module 8: Long Live the Missus! (1947)
    • Module 9: Spring River Flows East (1947)
    • Module 10: Spring in a Small Town (1948)
    • Module 11: Crows and Sparrows (1949)
    • Module 12: Course Wrap-Up
  • Book
  • Resources on Early Chinese Cinema

Love and Duty

Spider in Cave of the Silken Web 1927

Special Effects

Special effects were common in early Chinese cinema, especially in comedies and martial arts (wuxia) films of the 1920s

City Scenes 1935 Wan bros cartoon

Animation and Cartoons 卡通與漫畫

Early Chinese cinema included both animated films and live-action films with animated and illustrated sequences

Chen Yanyan on Chin-Chin 1934-05

Chen Yanyan 陳燕燕

Chen Yanyan 陳燕燕 had long film career in Republican China, post-war Taiwan, and Hong Kong, lasting from the 1930s to the 1980s

Ruan Lingyu photo in New Women 1935

Ruan Lingyu 阮玲玉

Ruan Lingyu is one of the most iconic actors of China’s silent cinema age.

The Oxford Handbook of Chinese Cinemas (2013), edited by Carlos Rojas and Eileen Chow

The Oxford Handbook of Chinese Cinemas (2013), edited by Carlos Rojas and Eileen Chow

What does it mean for a cinematic work to be “Chinese”? Does it refer specifically to a work’s subject, or does it also reflect considerations of language, ethnicity, nationality, ideology, or political orientation? Such questions make any single approach to a vast field like “Chinese cinema” difficult at best. This Handbook presents thirty-three essays by leading researchers and scholars intent on yielding new insights and new analyses using three different methodologies.

Jin Yan 2009 by Richard J Meyer

Jin Yan (2009), by Richard J. Meyer

Jin Yan: The Rudolph Valentino of Shanghai tells the remarkable story of the “Emperor of Film,” who dominated the golden age of Chinese silent movies. Jin Yan achieved his greatest stardom in the 1930s, when women literally threw themselves at his feet.

Ruan Ling-Yu 2005 by Richard J Meyer

Ruan Ling-Yu (2005), by Richard J. Meyer

Ruan Ling-yu: The Goddess of Shanghai tells the story of one of the greatest Chinese movie stars of the silent era from humble origins to tragic death at the height of her career.

Love Everlasting 1947

Love Everlasting 不了情 (1947)

A young professional woman is hired to care of the young daughter of a married man, only to find herself in an impossible position.

Hua Mu Lan 1939

Hua Mu Lan 木蘭從軍 (1939)

A young woman takes her father’s place in the army and protects the Tang empire from invaders in this wartime adaptation of the Mulan legend.

New Women 1935

New Women 新女性 (1935)

A contemporary social drama about “the woman question.” What are women’s lives like in China today? And what should they be?

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