Directory of Early Chinese Films
Chinese filmmakers made significant contributions to the cinematic arts during the first decades of film history. This website presents a selection of some of the best early Chinese films we can still see (and hear) today, with English subtitles, along with a selection of materials that helps us to understand each film’s historical, cultural, linguistic, social, and cinematic context.
Thousands of films were made in China, and by Chinese filmmakers around the world, between the 1890s and the 1940s. Many were destroyed by war, or have yet to be restored and released to the public. This website features a small selection from the hundreds of films still extant, with a focus on those made in Shanghai. The selection presented here emphasizes films that are in the public domain or subject to fair-use provisions, are accessible to project participants, and whose accessible copies meet minimum audio-visual quality standards.
The page for each film includes:
- the subtitled film
- basic information about production and personnel
- a link to the relevant module of the online course, if any
- a selection of further readings and viewings, which is updated on a periodic basis
Looking for a film that you do not see here? Write to the project leader to inquire, or post a comment on the Modern Chinese Cultural Studies YouTube channel.
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Available Films:
Laborer’s Love 勞工之愛情 (1922)
October 5, 1922
Laborer’s Love (Laogong zhi aiqing, 1922) is the earliest known extant complete film made by Chinese filmmakers.
The Pearl Necklace 一串珍珠 (1926)
January 21, 1926
What’s truly precious? This silent film features a conservative morality tale about women’s vanity, with two outstanding scenes of animation.
An Untold Tale of the Borderlands 殖邊外史 (1926)
January 30, 1926
Li Minghui stars as a peasant woman who escapes an arranged marriage to join her true love on the borderlands
Cave of the Silken Web 盤絲洞 (1927)
February 2, 1927
The Journey to the West is imperiled when the monk Tripitaka is held captive by a cave of spider women and forced to marry their queen.
The Mighty Hero Gan Fengchi 大俠甘鳳池 (1928)
June 23, 1928
Warriors wielding “light sabers” and vanishing magic right wrongs and settle scores in this partially-extant silent wuxia film.
Don’t Change Your Husband 情海重吻 (1929)
January 20, 1929
A married woman falls for a playboy college student. Will she live happily ever after? And what about her husband? Who will set things right?
Red Heroine 紅俠 (1929)
February 23, 1929
A poor young woman trains in magic martial arts and revenges her father and her village in this silent wuxia film.
Poor Daddy 怕老婆 (1929)
April 14, 1929
Poor Daddy (1929) is a slapstick silent comedy starring Liu Jiqun
Woman Warrior White Rose 女俠白玫瑰 (1929)
June 22, 1929
In this partially-extant silent action film, a female athlete becomes a swashbuckling hero and saves the family herding ground from a gang who plans to sell it to foreigners
Woman Warrior of the Wild River 6 荒江女俠 第六集 (1930)
July 13, 1930
A woman warrior saves a child carried away by a bird and battles bandits in this wuxia adventure film
Love and Duty 戀愛與義務 (1931)
February 24, 1931
A romantic melodrama with paternalistic overtones, Love and Duty was the first Lianhua film to showcase the chemistry between Ruan Lingyu and Jin Yan.
An Amorous History of the Silver Screen 影幕艷史 (1931)
March 1, 1931
A former film star returns to her old studio to discover how much has changed, in this highly self-referential film about love and/of cinema.
The Peach Girl 桃花泣血記 (1931)
April 9, 1931
The Peach Girl co-stars Ruan Lingyu and Jin Yan as lovers in rural China tragically separated by social class.
Wild Rose 野玫瑰 (1932)
July 22, 1932
A vivacious country lass and a rich Shanghai boy fall in love. What will happen to young love when an uninhibited girl meets urban high society?
Volcanic Passions 火山情血 (1932)
November 7, 1932
Zheng Junli and Li Lili star in this silent film, featuring a pulpy story of revenge and romance, with hula dancing an erupting volcano.
A Dream in Pink 粉紅色的夢 (1932)
December 9, 1932
A young couple in Shanghai divorce, to be reunited by the abandoned wife’s devotion and literary talent.
Daybreak 天明 (1933)
February 2, 1933
A young woman from the countryside, forced into prostitution, does espionage to aid the Northern Expedition.
Spring Silkworms 春蠶 (1933)
March 8, 1933
Silkworm farmers in southern China find themselves in desperate economic straits, despite a bumper harvest.
Playthings 小玩意 (1933)
October 10, 1933
Artisan toymakers struggling to survive amidst war and competition from big business.
Sports Queen 體育皇后 (1934)
April 14, 1934
A country girl joins a women’s sports academy in Shanghai and becomes a national track star. Will she learn the true athletic spirit?
Song of the Fishermen 漁光曲 (1934)
June 14, 1934
Sister and brother struggle to survive as fishermen in northern China, in this musical melodrama. A box office smash.
Goddess 神女 (1934)
December 7, 1934
Ruan Lingyu stars as a single mother in Shanghai struggling to give her young son an education, in the face of exploitation and social prejudice.
The Great Road 大路 (1934)
January 1, 1935
In this genre-bending romp, a band of road workers, aided by two women, build a great road to help China fight off invaders.
City Scenes 都市風光 (1935)
January 13, 1935
Yuan Muzhi’s experimental directorial debut shows a country family’s farcical attempts to make it big in Shanghai.
New Women 新女性 (1935)
February 3, 1935
A contemporary social drama about “the woman question.” What are women’s lives like in China today? And what should they be?
Song of China 天倫 (1935)
February 13, 1935
Fei Mu’s traditionalist parable dramatizes the triumph of filial piety. Set to a lavish orchestral score and produced for a bilingual market.
The Little Angel 小天使 (1935)
August 9, 1935
Director Wu Yonggang’s encore to “Goddess” (1934) focuses on the trials of a poor but loving family and their angelic boy.
Song at Midnight 夜半歌聲 (1937)
February 20, 1937
Phantom of the Opera and Nosferatu meet underground revolutionary history in China’s first horror-musical.
Street Angels 馬路天使 (1937)
July 21, 1937
Zhou Xuan sings two hit songs in this social drama by experimental filmmaker Yuan Muzhi, costarring heartthrob Zhao Dan.
Hua Mu Lan 木蘭從軍 (1939)
February 16, 1939
A young woman takes her father’s place in the army and protects the Tang empire from invaders in this wartime adaptation of the Mulan legend.
Princess Iron Fan 鐵扇公主 (1941)
April 13, 1941
Monkey and companions try to outwit a demon’s wife in this animated feature film, which adapts an episode from Journey to the West.
Love Everlasting 不了情 (1947)
February 13, 1947
A young professional woman is hired to care of the young daughter of a married man, only to find herself in an impossible position.
Spring River Flows East 一江春水向東流 (1947)
October 9, 1947
An epic melodrama in two parts. A dutiful wife struggles to keep her family together through eight years of war, only to suffer betrayal.
Long Live the Missus! 太太萬歲 (1947)
December 13, 1947
A fibbing housewife runs into problems with her unreliable husband and his con woman mistress in this wartime screwball comedy.
Spring in a Small Town 小城之春 (1948)
September 25, 1948
Director Fei Mu’s lyrical masterpiece shows people coping with loss and longing in the aftermath of the Anti-Japanese War.
Wanderings of Three Hairs the Orphan 三毛流浪記 (1949)
October 30, 1949
Follows the misadventures of Sanmao as he tries to fill his belly on the streets of Shanghai. Adapted from the comic strip by Zhang Leping.
Crows and Sparrows 烏鴉與麻雀 (1949)
January 13, 1950
An epochal film, produced and set at the end of civil war, centering on a fight over housing. Who will stay and who will go?
The White-Haired Girl 白毛女 (1950)
June 15, 1950
A seminal film of New China cinema about a country girl who endures inhuman suffering before being liberated by the communist army.